Control is the Name of the Game
Aug 29th 2009Uncategorized
The writer William Burroughs made the theme of “control” central to his work. He spent most of his life obsessed with the idea that he was under the insidious control of outside forces, and by extension, so were we all. His life can be seen as a quest to free himself from control: through drugs, through Scientology, and, most of all, through writing. There is no doubt that one reason why his works resonate with readers is that Burroughs was on to something important. Unfortunately, however, his diagnosis of the source of control was badly mistaken. Like the American libertarian he was, Burroughs believed that it was the government, which to him represented the forces of collectivization out to subordinate the free individual, that was trying to control us. Thus he was repelled by the socialism of the Soviet Union and even the social democracy of the Scandinavian countries. He feared that the more government there was, the closer we were to the kind of total control represented by fascism. [I might add that Burroughs’s obsession with the individual seems to have translated into an egotism that denied any social responsibility. He was a crack shot, yet he killed his wife with a pistol while playing a “William Tell” game and with a weapon he knew had an inaccurate sight. Then he quickly abandoned his son Billy, who was raised by Burroughs’s parents in Florida. Billy soon enough took to drugs and alcohol, but his father showed little concern. When Burroughs brought a teenage Billy to Tangier, the poor boy was constantly harassed by Burroughs’s gay companions for sex. Ultimately Billy had to have a liver transplant, one of the first performed by the legendary surgeon Thomas Starzl. The new lease on life soon gave way to old habits, and Billy destroyed the new liver as well. He died still a young man. Maybe fatherly concern and love would not have helped the son, but we will never know.] Read More